Showing posts with label Comics. Show all posts
Showing posts with label Comics. Show all posts

Tuesday, July 19, 2011

Getting Back In the Saddle: Race Week!

Sorry if you missed me these past few days.  Had a great weekend—including a long brick workout, a decent swim, a long run, plenty of tube-time with the Tour, and a day at the beach with my kids—but the downside of all that was that by Sunday afternoon, I was way behind on my chores.  To make matters worse, we didn’t get back home from the beach until late in the afternoon on Sunday, and since I still had a week’s worth of ironing to do as well as a night’s worth of cooking, that meant I had to get to work straight away.  So… no post Sunday.  And then yesterday I actually sat down to quickly post the new Dark Knight Rises teaser trailer viaYouTube, but for whatever reason, they’ve blocked the “embed” feature for the trailer, leaving me empty-handed.  And at that point… I mean, there’s been more traffic around here lately, but I hardly think folks are waiting on baited breath to see what I’m gonna post every day.

So now it’s Tuesday, and not only is it the third week of the Tour de France, it’s also race week for me for the Amica 19.7 Ocean Beach Triathlon.  Exciting!  Not withstanding that it’s supposed to be in the 90s this weekend, I ought to do reasonably well.  I’ve been training hard, and this particular race is right at about my optimal distance—around one and a half to two hours.  It’s a half-mile swim, 16-mile bike (mostly false flats), and then 5k run.  Last year, it took me 95 minutes but left me baked—both because I didn’t pack a gu and because I was flat-out expecting an easier race.  This year, well, I know it’s gonna be hotter than Hell, I know the run course offers zero shade, and I know that the bike-leg only looks flat.  The addition of a slight tweak to my nutrition plan, a white running hat, and a hearty dose of pre-packaged mental toughness, and I ought to be ready to rock!

***

Over at the Tour, I’ve gotta say that I’ve been really disappointed this year with Team Leopard-Trek leader Andy Schleck.  Don’t get me wrong; I like Schleck.  Last year, when his brother crashed out of the Tour andAlberto Contador looked utterly unstoppable, Andy put up an inspiring fight.  He lost a three-week bicycle race by 39 seconds to a guy who is—easily—the best active professional rider of our time.  I enjoyed rooting for him.  So this year, with Contador coming off a dominant Giro d’Italia and stuck amidst a nasty doping scandal (left over from last year’s Tour), it looked very much like the Tour was Schleck’s to lose.  But he is losing it, and it’s hard to understand.  I mean, I know he lost a teammate to a nasty crash on a decent earlier this year, and so perhaps that and the crash-tastic nature of the first week this year’s Tour have weighed on his mind, but even so, Andy Schleck has looked utterly pedestrian all year long.  He did dick during the year prior to the Tour, he did nothing but sit on the wheels of his teammates during the Tour’s first week, he attacked repeatedly but tentatively in the Pyrenees last week, and then today he lost time on a relatively easy climb, ostensibly because he chose not to remove his rain gear prior to the climb’s start.  And then he lost more time on the decent—again looking tentative—before coming to a stop just in time to bitch non-stop about the way the stage finished.  Argh! 

Folks, this is not the way that champions are made.  I mean, I may not like Alberto Contador a whole lot, but he is at least out there giving it everything.  Personally, after the Giro and the various crashes he had in the Tour’s first week, I don’t believe that Contador can recover and win again.  But at this point, he sure as Hell looks like he’s gonna go down fighting, and I won’t be surprised if he winds up on the podium and less than a minute down from the eventual leader.  And that in itself will be quite an accomplishment.

***

I watched the trailer for The Dark Knight Rises, and I gotta say that I think it looks pretty cool.  It’s really too bad I can’t post it here.  If you’re familiar with the major storyarcs from Batman during and shortly after theFrank Miller heyday, then I think maybe you can start to glimpse the overall arc of the story here.  Basically, it looks like they’re taking elements from the Knightfall arc and mixing in a little bit of The Dark Knight Returns, and well… that’s enough to make a movie.  Batman fights Bane, Batman gets his back broken, Batman quits being Batman, and eventually, Batman returns and triumphs over the bad guys. 

You heard it here first. 

In the hands of a lesser director, I would call that a train-wreck in the making, but with Christopher Nolan directing, well, at this point, I’m expecting an epic of loss and redemption.  And I’m secretly holding out hope for the Sons of the Batman to make an appearance, along with Carrie Kelley.

***

And that’s all I got.  Have a good week!

Saturday, June 18, 2011

Comics for Girls: Spider-Girl

I have two kids--both girls--and all three of us like comics.  Moreover, my oldest, Hannah, seems like a natural-born comic geek.  She draws and writes constantly, and at age 7, she's already producing an average of two illustrated short stories every week.  She even has her own super-team, The Faith League, a Christian team comprised of Horse-Girl, Snake-Girl, Cape-Camp, and Cape-Camp's dog Camper, along with their arch-nemesis Fireball, and for her next project, she wants to collaborate with me on a graphic novel called Night Wars, the script for which is already about a month late.  In my defense, I'll just say this: if you've never tried to write a comic script for your seven-year-old, it's a lot harder than it looks.

The cover for Batgirl #21
In any event, my girls and I like comics, but finding comics that you can read to your six- and seven-year-old is hard, and if they're girls, it's even harder.  They're carrying Batgirl and Batman: the Brave and the Bold on their Pull List at the Local Comic Shop (LCS), but both of those titles are a little frustrating for them.  Batgirl's frustrating firstly because it's written for a much older audience and secondly because it's just not that good.  The art is mediocre at best, and the storytelling jumps around so much that it's often hard to follow.  Batman: the Brave and the Bold is better, but it's not great by any means, and it's definitely not a comic for girls.  Which leaves us looking constantly for something we can all read together and actually enjoy.

We picked up the new Spider-Girl, numbers 1-3, with some trepidation.  Every once in a while, either Marvel or DC will do some kind of ridiculous pandering stunt to try to pull in new readers from a new demographic, with Spider-Girl being a recent example of the ways in which that can go hideously, horribly wrong.  There have been several Spider-Girls, of course, but the most recent version of the character was a Brooklyn-based Latina named Anya Corazon.  Now there's nothing wrong with making a Latino character based out of Brooklyn, but my experience with Latinos from any borough is that unless they're actual immigrants, they're English is generally pretty standard American English.  They don't, for example, talk like Handy Manny or Dora the Explorer.  You look at Jennifer Lopez: she doesn't exactly struggle with the language.  Yes, she can speak Spanish, but that doesn't actually degrade her English.  Which is why I have to call it pandering when they make a Latino Spider-Girl and then have her run around speaking some kind of ludicrous Spanglish.  And clearly somebody agreed with me because the original Anya Corazon Spider-Girl was cancelled after a mercifully short run.  This new Spider-Girl is a therefore a re-boot, albeit one that's still in continuity with the original even though it's executed with a far different design sense.

Spider-Girl #1
The good news is that the new Spider-Girl is really good.  Anya comes across as a typical high schooler--albeit one from a Latino family--this time living in downtown Manhattan.  And her adventures are refreshingly down to earth.  For example, the first issue has her dealing with street crime and chaos while the Fantastic Four fights a monster nearby.  That juxtaposition gives us as readers a nice frame of reference for how the new Spider-Girl sees herself and her mission.  She's not trying to save the world; she's just trying to help a little in her neighborhood--because she can.  Beyond that, the story is intensely personal and heavy on internal monologue.  Which is fine.  I mean, comics are also a literary medium, and there's nothing wrong with taking advantage of that fact, so long as the writing is good.  In the three issues we've read so far, I think writer Paul Tobin is right on point.  Anya is a interesting and largely introspective girl.  Her struggles are personal struggles, and she deals with them in a way that I think most readers can understand.

More than the story, though, the thing that I really like about the new Spider-Girl series is the art.  Most comics are written--and drawn--for overage horn-dog fanboys in their mid-30's, and that tends to turn girl heroes into a vapid, half-naked booby-girls.  I can't and won't read that to my daughters, and it frustrates me to no end.  Which is why I was super-happy to see that Anya's new costume is actually a whole-body affair, and that she's drawn with a realistic, athletic figure.  Moreover, the actual sequential art is both well-drawn and plenty clear.  Even six-year-old Emma had no trouble at all following the story.  That in itself was awesome.

So.  We're gonna pick up the rest of the back issues of Spider-Girl next time we go to the LCS, and we're adding the ongoing series to our Pull List.  I genuinely enjoyed reading Spider-Girl, and I felt comfortable reading it to my daughters.  That's such a vanishingly rare combination in a comic that I'm actually super-excited to see what's gonna happen next.

Tuesday, June 14, 2011

Pearls Before Swine









From Pearls Before Swine.  Click to read at full size.

Monday, May 30, 2011

Diary of an Insomniac

It's 4:30 am.  Or, to put it another way, it won't even be The Butt Crack of Dawn for another half hour or so.  I've been up for about a quarter-hour or so.  It wasn't my plan to get up quite this early, but I woke up, made the mistake of looking at my watch and thinking a little about what all I have to do today, and then started tossing and turning.  Pretty soon, I realized I was gonna wake up Sally if I wasn't careful.  So I got up.

Eh.  I'll be out on my bike in an hour or so.  In the meantime, it's quite in the house right now.  Everyone's asleep, even the dog.  There's a reason why this is my favorite part of the day.

***

The Towers of Terror made a surprise appearance over at Rival Angels last week:


I created the Towers of Terror with Rival Angels' creator Alan Evans a couple of years ago for the now infamous Rival Angels Halloween Special.  The girl in green is Lover Lola, and the taller girl is Zombie Luna.  Their manager is Johann the Zombie Potentate of Doom, who was originally created (by me) as a villain for Awesome Storm Justice 41 webisode #40.  But when production stopped over at ASJ, I re-purposed Johann for Alan, and now here he is.

It's awesome when your creations take on a life of their own.  Alan tells me that the Towers of Terror figure prominently in Rival Angels' fan fiction.  Which is unbelievable to me on a lot of levels.  In any event, Rival Angels has been really successful for Alan.  He tells me that he'd like to sell more books--an who wouldn't--but the series itself and it's ancillary revenue streams are strong, and he's apparently touring quite a bit--doing comic book shows all over the place--to support it.  Nice, huh?

Wednesday, May 11, 2011

Of Gods and Presidents...

Before I go any further, let me just say one thing: the whole death-industrial-complex is a fucking jobs program.  It’s unbelievable.  Seriously.  I literally cannot believe the amount of technical, legalistic bullshit that goes into trying to put somebody’s final affairs in order.  Shit, she’s dead, she left everything to me.  It’s not that she liked me so much, but I was her only son, practically her only living relation.  How fucking hard is that to understand?  Look, there is no valid reason why I have should have to fill out all these damned TPS Reports in triplicate.  Except to keep a lot of lawyers, accountants, bankers, pimps and prostitutes in fat cash, homey.  It’s driving me stark raving crazy.

Yuck.   

Alright, so I haven’t done a lot of politics lately, but I gotta say that I’m pleased to see that Donald Trump’s would-be presidential campaign finally seems to have flamed out.  It bothers me the way that all of this year’s would-be Republican candidates are basically just reality TV stars.  Even Newt Gingricha formerly serious guy, seems like he’s just in it at this point so he can sell some T-Shirts, grab a spot on Fox News after it’s over, and maybe write another book.  He must know he can’t actually win the election.  Not only is he short and dumpy compared to the president, he’s also perhaps the second most polarizing figure in recent American political history (behind Hilary Clinton), and he’s got an extensive and well-documented history of cheating on his wives.  This is not the way presidents are made.  And Gingrich is smart enough to know it. 

Bottom line, besides Mitt Romney, there’s not a single serious candidate in the Republican race.  And what’s even worse, Romney has to run away from his strengths in order to appeal to the Republican base!  Ugh.  I mean, I don’t love Romney or anything, but I can at least admit that he’s a smart guy who came up with a smart health care system, and that he’s a successful-enough business man to maybe make a serious effort at intelligently balancing the budget.  But right now he can’t run away from his own record fast enough, especially on health care, which is arguably his greatest success.  Hell, even the fact that he’s an upstanding Mormon family man is gonna hurt him with the Birther/Wingnut faction of the GOP, let alone the fact that he was governor of Massachusetts.  Y’know, the Republican base will in no way vote from some Yankee businessman from Massachusetts.  It just ain’t gonna happen.  Which leaves us with Trump and Palin and Bachman and whoever the Hell else wants to get out there and rouse the rabble in some hopelessly quixotic campaign to confuse the issues and scare the Hell out of everyone with a bunch of talk about gay marriage.

*groan*  Those guys are all so scared of the gays.  I just don’t get it.  Like it’s catching or something.  Look, I don’t actually know all that many gay people—and I work in Manhattan!—but the ones I do know are totally NOT scary.  Not scary at all.

Still, I get it.  The current president looks utterly indestructible, and so all best Republicans are simply holding their fire this time around.  And that leaves us with the wackadoos.  But still…  it’d be nice if the GOP could at least put up the appearance of a serious fight.  I mean, it’s not a done deal or anything.  We are actually going to have an election.  It’d be cool if we could get a candidate or two to at least discuss the issues.  Somebody who doesn’t have to “phone a friend” in order to come up with a list of the last few books she’s read or the newspapers she reads regularly.

*sigh*

On the brighter side, I saw Thor last night, and it was totally better than I thought it was gonna be.  I blame that entirely on the screenplay.  I noticed in the credits that the movie was actually written byBabylon 5 creator J. Michael Stracyznski, and I hope like Hell that means he’s gonna put another series on TV.  Babylon 5 was awesome, and the major networks are very obviously searching for something they can put out there that’s both good and relevant to pop culture and comic books.  Stracyznski’s probably the right guy to go to for that.  Still, I’m not holding out too much hope.  I mean, I’d like to see that long anticipated HBO long-form series of the Bendis/Maleev run on Daredevil but I don’t actually think it’s coming.  But who knows?  Maybe something good will show up.

Of course, if it does, they’ll probably just cancel it after half a season.  Like they canceled The Chicago Code.  Fuckers.  America can’t get enough of Bob’s Burger’s, but no one wants to watch the Chicago Code?  What the Hell is wrong with this country?

Eh.  That wasn’t really the brighter side, was it?

Anywho, Free Comic Book day was last Saturday, and I gotta say that I LOVED the thing that Robert Kirkman put out, Super-Dinosaur.  An obvious concept, maybe, but very well crafted, and my kids loved it.  I’m putting it on my Pull List.  And seriously, I can’t wait to see what Kirkman does with it.  What an awesome book!

Now if they could only write Batgirl for actual pre-teen girls, it’d be all good.

And finally: Triathlon.  Where I’m tired of being tired. 

It’s now that part of the season where the early aerobic prep is hitting hot and heavy, and none of the big races are close enough to justify resting or attempting to round into form just yet.  So I’m basically hammering myself into hamburger every weekend, and right now, it feels like it’s been a month since my quads started hurting.  Just walking around takes a conscious effort of will.  Seriously, not to pimp Kirkman again, but I feel like the walking dead, and it’s getting old. 

Thankfully, I’ve got my first actual triathlon of the season in about 10 days, meaning that I’m four days and an afternoon away from starting a Rest Week, and I cannot fucking wait.  Granted, this isn’t one of the bigger races, and I’ve got to do at least one long bike ride with intervals between now and then, but still… It’s an excuse to back off, and I’m taking it.  Plus, I won my age group at this race last year, meaning that this year I need to defend the championship belt. 

Hey, it’s something, right?  Maybe not as good as being WCW’s European Champion, but y’know, it’s nice to actually win every once in a while.

Well, I think it is.

Wednesday, December 22, 2010

Everything Revisited

I had a thought about Julian Assange this morning that I think must’ve been motivated by the fact that the guy just isn’t as entertaining anymore as he once was.  The interesting leaks have all but stopped, and in their place, we have to continually hear about what a bad lover he is and how he intentionally breaks condoms before having sex with casual female acquaintances.  So I’m not feeling as charitable as I once was, leading me to the following thought:

It’s a mistake for the US to try to charge Assange under criminal law.  After all, he’s not a US citizen, and what he did might therefore be rather difficult to try.  However, one could easily make the case that he’s a non-state actor, and that his actions were an Act of War.  In which case, he could be detained indefinitely—or at least until he makes personal reparations to the United States—as an Enemy Combatant.  Now, that would be an interesting case because Assange is an Australian, and no doubt, the Australian government would object to his detention on those grounds.  Obviously, they’d want to repatriate him—but without condoning his actions.  Thus, it’s possible that the Australians could charge him for treason against its allies, a charge that I think they might make stick.  I think that’d solve the US’s problems nicely. 

Of course, the thick heads in Washington always want to come across all scary and intimidating, so they’ll no doubt ignore the savvy solution—again—but that doesn’t change the fact that it exists. 

For example, I’ve never understood why they need to try all these 9/11 guys who’re in Guantanamo when the obvious solution is to declare them mentally insane and lock them up—for their own protection, obviously—in a secure Upstate mental facility, thereby discrediting their ideology in front of the world’s lunatic fringe.  *sigh*  Sadly, that sort of thing is a lost art anymore. 

But seriously, if you’re gonna violate a guy’s civil rights—and I’m not saying that you should or you shouldn’t—you should at least do it in a way that furthers your cause.

***
I read two books this week, and they’re a study in contrasts.  The first was George R.R. Martin’s A Game of Thrones.  Great book, but long.  I mean, it’s 800-pages of densely packed medieval fantasy goodness.  A lot happens.  A LOT.  Without getting into it too much, I think it’s probably the best fantasy book I’ve ever read in terms of its take on the politics of a feudal empire.  At 800-pages, Martin gives himself the space to really explore all the angles, and that, more than anything, is what makes the book work.  I really enjoyed it, but it was also a slog that made my eyes tired. 

On the side was the new hardcover (HC) Grant Morrison/Frank Quietly Batman & Robin: Batman Reborn.  To recap briefly, DC ran an event recently where Bruce Wayne, aka the Batman, gave his life to save the world.  So Batman Reborn follows Dick Grayson, the original Robin, as he sheds his Nightwing persona in order to take up the mantle of Batman.  And as with A Game of Thrones, a LOT happens. 

I tend to like Morrison’s work, especially when he works with Quietly, and I think the two of them are right on their game here.  The book is interesting, the villains are disturbing, and there’s a nice tension between Grayson and the new Robin, Damian Wayne, who’s Bruce’s illegitimate son by Talia Al Ghul (for those who don’t read the comics: she’s the daughter of the villain from the movie Batman Begins).  But here’s my issue: the whole thing is rushed.  I mean, not the execution of this particular story, but in general, the whole idea of Bruce Wayne being killed, Nightwing taking the Batman mantle to keep his mentor’s legacy alive in Gotham, and the development of Damian Wayne…  it’s all good stuff.  But it’s rushed.  We get maybe 6 or so issues of Nightwing-as-Batman, and then suddenly Bruce Wayne is reincarnated (ugh), and now, once again, here’s Big Brother, watching over everyone’s shoulder and making sure that everything is going to be alright.  Suspense?  No.  Watching as the odd-couple-in-training becomes a true partnership?  Forget it.  I mean, they could’ve gotten YEARS of play out of these ideas, and back in the 80s they would have, but these days it’s all hurry, hurry, hurry!  We’ve got to have the next mega-event, multi-title story arc.  No time for all that character crap now.  When’s Blackest Night?  When’s Brightest Day?  How soon can we start Batman, Inc.?

And these guys wonder why no one is buying comics anymore.  Why should they?  Any story decision is just gonna be overwritten by the next writer.  There’re no lasting consequences for the characters, and in the long run, that kills the story.  Why worry if Batman dies?  You know he’ll be back, probably before the Christmas buying season.  After all, we wouldn’t want to miss out on the sales peak.

But what do I know about it?  I’m only a reader anymore.  Hell, I wouldn’t even be that if it weren’t for my kids and their nascent interest in the Batman.

***
Saw the new Tron: Legacy.  I thought it was cool, but the 3D hurt my eyes after about a half-hour, and I still can’t quite rap my head around the idea of a computer system having weather and ground-effect from thrusters.  Still, I liked the way they stuck with the iconic images from the original movie.  Tron might be a goofy idea, but it was at least a goofy idea that was well-rendered.

I’m hoping to get out to see Tangled his weekend with the girls.  Maybe the 24th.  I guess we’ll see.  Christmas gets so crazy; hopefully it won’t be like that this year.

If I’ve not said it already, have a merry Christmas, and a happy New Year.

Sunday, December 12, 2010

In Search of Comics for Girls

While we're talking this morning, let me tell you my problem.  My kids have recently discovered comics.  That's good.  But they're girls, ages 7 and 5.


I ask you: what can they read that's good?

Green Lantern Trailers

Hey Alan,

You asked what I thought of the Green Lantern trailer.  Well, bottom line, I thought it looked like they decided to re-shoot Green Lantern: First Flight using live actors.  Here.  Look for yourself:



You tell me?  Same movie?  Shot from the same script?

And I liked First Flight when I saw it on Netflix, but I don't know if I liked it enough to see it again, and that's even before mentioning that the art looked better in the original.  All those CGI critters aren't my idea of a great move.

Monday, December 6, 2010

A Little Bit About Everything

Alright, so it’s been awhile.  I’m sure the pair of you reading this mighty blog must be a touch upset.  Well, the fact is that I’m still in shock at how badly the Titans’ season has gone since they picked up Randy Moss.  I mean, I don’t know that I thought that they’d be GREAT with Moss, but I certainly thought they’d be better than they’ve been.  Five game losing streak, anyone?  Seriously, it’s been hard to be a Titans fan this season.  Really hard.

With that out of the way, let’s talk about Wikileaks.  And look, there’re really only two things to say here.  First, I can’t for the life of me understand why the government is freaking out so badly about the cables being released.  I’ve been following the story pretty closely, mostly via The Guardian’s news coverage, and although I’ll admit to finding a lot of the cables fascinating, the fact is that there’s very little there that’s actually news.  In fact, I’d say that at least 95% of that stuff has already appeared elsewhere in the press, and the remaining 5% is innocuous.  And Hell, most of it promises to be actively HELPFUL for the US’s diplomacy efforts.  For example, it was news to me that Italian Prime Minister Silvio Berlusconi and Russian Premier Vladimir Putin are apparently close personal friends.  I don’t say that I find it surprising because there’s a sleazy sort of “me first” attitude wafting off of both men, and with that in mind, it makes sense that they might see something familiar in each other, but with that said, I didn’t actually know that they were friendly until I read it in The Guardian’s Wikileaks extracts. 

Also: I’d no idea that the Saudis have been pushing for air strikes on Iran.  I mean, it’s not surprising considering that Saudi Arabia and Iran share neither language nor culture nor history nor ethnicity, and they have only the most bare-bones facets of their religions in common, but still… I mean, you get a lot of pan-Islamic bullshit out of both places, no?  A lot of wailing and gnashing of teeth. 

But really, is it surprising that the Saudis want the US to strike Iran?  No.  Not at all.  With Sadaam out of the way, there’s really nobody left in the region to check Iranian dreams of hegemony, save the US, and the US isn’t as easy to influence as was Sadaam.  Come to think of it, the Saudis have to be sort of pissed at how things have worked out, and they’re probably just as pissed that the US Air Force hasn’t struck yet.  Not that they’d ever admit it.  Which is why this leak is actually good.  Now, the Saudis’ actual position is out in the open, and we can start to get past the aforementioned pan-Islamist bullshit that provides so much cover for so many of the bad guys of the world.

Which brings me to the second thing that surprises me about the leaks: that the government thinks that they can somehow throw Wikileaks’ founder in jail!  What’s he done, exactly?  I read that some dumb-ass senator wanted to bring Julian Assange up on charges of Treason, but you know, Assange isn’t an American.  You can’t charge a foreigner with Treason.  So maybe they can somehow charge him with violating the Espionage Act, but again, that strikes me as a little disingenuous.  I mean, they could probably charge him with Possession of Marijuana while they’re at it, but I’ve never heard of a warrant being served for something like that on a guy living in Europe.  It’s a little like having the Chinese government attempt to enforce a ban of falungong in Central Park.  I mean, I suppose they can try, but it’d be weird if it actually stuck in court.  When we get to the point where we can throw foreigners in jail for mouthing off to the government, it’ll be really scary, you know what I mean?  Because bottom line, if those guys in government wanted to keep their secrets, then they probably should’ve kept their secrets, you know, secret.  Not that there’ve been any actual secrets released—because there haven’t been—but apparently it’s the principle of the thing.  And with that in mind, it seems to me that the over-riding principle in play is the right to Freedom of Speech, the most sacrosanct right that Americans possess.  Failing that, I’ve no idea what we’re fighting for.  Freedom becomes a nebulous concept when you can’t sort of say and do the things that you want to—freely. 

But, you know, maybe I’m just getting old.  I can’t much understand what makes people mad anymore.  It all seems mighty strange to me.  Interesting.  But really, really weird.

***
I got the Greg Rucka Batwoman harcover (“Elegy”) from the Fairfield library on Saturday, and boy, was it ever better than I thought it was gonna be!  I really enjoyed it.

First off, I gotta admit that I HATED the concept of Batwoman.  I don’t know if you’re familiar with the character concept, but maybe 24 months ago, DC Comics made a big, splashy announcement that they were introducing a new character, Batwoman, and she was gonna be gay.  Fanboys rejoice!  Seriously, it seemed like all the worst things about comics rolled up into one shiny package.  Ridiculous, unrealistic play for a new minority readership?  Check.  Equally ridiculous hyper-sexuality geared to the prurience of 30-something male troglodytes too afraid to buy Hustler Magazine like normal adults?  Check again.  Gratuitous use of the Batman in order to sell even more of the same crap to the dumbest 10% of the hard core fanbase?  Yes, yes, yes!  Package it all in an over-priced hardcover?  Heh.  Why the Hell not?

So anyway, I really like Greg Rucka’s writing.  He created and wrote one of my favorite titles of all time, Oni Press’s now defunct espionage thriller Queen and Country.  I gather that he’s also a successful crime fiction novelist, but I confess that I’ve never read any of his prose work.  Regardless, Batwoman works for much the same reason that Queen and Country worked.  In both titles, Rucka creates a strong female character, one who’s driven by understandable internal conflict amongst a fantastic but fun external storyline.  His woman are tough without coming across as men-with-boobs—like characters such as Wonder Woman and Red Sonja so often do—and I think that pulling that off is pretty impressive, especially in a character who’s an out-and-out dyke, like Batwoman is. 

And she is a dyke.  Hell, that’s why the story works.

Thrown out of West Point shortly after Ring Weekend for refusing to pretend to be straight, Kate Kane is an angry young woman whose life is meaningless.  There’s a lot of other stuff working there, but bottom line, Kate is a woman who wants her life to be something more than unfocused rage, but she can’t find an outlet… until the day that Batman almost saves her from a mugging.  I say “almost” because, being a kick-ass girl hero, Kate hardly needs saving.  But Batman’s there, and he offers her a hand up when she falls to the ground.  After that, one thing leads to another, and well… I won’t spoil it for you.  There’s some sex and some violence, and thankfully, Kate wears pants and short hair in every scene.  She comes across tough, and that worked for me.  I really dug it.

My one criticism is in the art.  The artist, J.H. Williams, draws a heavily photo-referenced style in the main story, and it comes across stiff in places.  I mean, it’s beautiful and realistic, but there’s not much action or motion there, and that’s a problem because the script is action-heavy.  Williams covers it with some really creative two-page spread layouts, but while that’s fine for the art aficionados, those of us who’re regular action junkies like to see the occasional skull crack.  Personally, I much prefer the more cartoonish throwback style that Williams uses in the flashback sequences in the book’s later half—they’re highly reminiscent of the style used in Frank Miller’s classic Batman: Year One mini-series—but I suppose that wouldn’t have sold as many hardcover copies.  The majority execution looks glossy and expensive, almost like an issue of Vanity Fair, and I’m quite sure that that was better for the book’s bottom line.

Even with that one quibble with the art, I still strongly recommend the book to comic fans.  The West Point sequences are spot-on, and the rest of it is well executed, too.  Really, it’s a great read, and there’s not much else to say.  Ask your library to order it.  That’s my recommendation.

***
I get letters from parents every once in a while.  I put up an article on a triathlon website with some swimming training theory about 18 months ago along with a few sample workouts, and now I get parents emailing me maybe once every three months to ask if their kids shouldn’t be doing something similar to MY workouts instead of what their kids’ own coaches have them doing.  But although I always try to take time to respond at some length—because, bottom line, I don’t want to duck the question but I also don’t think that anyone could answer it without knowing both the kids and the coaches in question—I don’t think I’m telling these parents what they want to hear. 

Which is to say that I never hear back from these people.  What’s up with that? 

First, why in Hell would anyone email a total stranger for workouts for their kids, and second, if someone does email a stranger for workouts, and they actually get a response that involves real thought, isn’t that worth a reply?  Even if the reply is simply, “Thanks, but that was more information than I wanted?”

I know I said this before, but I really do not understand people.  Emailing some guy on the Internet is NOT going to make your kid a faster swimmer.  But if it could, I mean, the reply email couldn’t possibly be a short one.  You see that, right?  That actually makes sense?  Swimming is, like, a whole sport.  They have swimming in the Olympics and everything.

*sigh*

***
While we’re talking about sports, I gotta confess that outside of my commute, I’ve not been on my bike or done anything athletic at all since about mid-October.  Ugh, I know.  At first, it was just a knee ache, but then I got lazy.  And then it got cold.  And then I fell.  And actually, now my doctor thinks I might have a torn meniscus in my right knee.  Eh.  I’m still riding back and forth to work as much as I can—about 10 miles total on the days when it’s not raining—but I still haven’t run, and I haven’t been out on my bike in what feels like FOREVER.

It doesn’t help that Sally’s got plantar fasciitis.  She’s not running either.  We’re just sitting around like a pair of fat humps.  Yuck.

Anyway, the doc says that if I’m not running again by mid-January, I have to go see a knee doc and probably get my knee scoped.  Man, I do NOT want that.  But… I also don’t want to miss a bunch of time for another stupid injury, either.  Stupid injuries.  Seriously, getting older sucks a high hard one.

None of which is keeping me off my bike or out of the pool.  Or off my yoga mat.  For that, I have nothing to blame but sheer, stupid laziness.  Ugh.

Tuesday, March 30, 2010

No News, Need Some Filler

Your regularly scheduled book or TV review will be back as soon as I have time to write it.  In the meantime, here's the trailer for a movie based on one of my favorite comics of all time, The Losers.

Eh...  I don't know what it's gonna look like as a movie, but it was a bad-ass comic.





Wednesday, March 24, 2010

Wednesday Round-Up: Attacking in a Different Direction

To the extent that there’s any writing news this week, it’s this: I’m working with my old high school friend Niki to adapt Bronx Angel: Politics By Another Method for the stage.  The backstory here is that I used to own a little comic book company called Proletariat Comics, LLC.  I founded PC LLC with a friend named Jerry as a way to promote our work.  Because look, unless you’re writing a franchise property for one of the existing Big Two comic companies, the simple fact is that comics is a pay-to-play game.  Which is to say that if you want to write and produce original work of your own design, that’s fine, but no one is going to pay your art costs up front.  As with prose writing, would-be comic producers who’re starting out need to be prepared to produce fully finished work that they can take to a publisher or agent.  In many ways that’s unfortunate, but then again, it’s also reasonable from the point of view of the publishers.  I mean, I’ve been on both sides of the issue, and you can trust me when I tell you that the number of folks who think they can write comics is exponentially larger than they number who actually have any talent and/or any desire to take formal training or in any way hone their craft, and beyond that, there is a literal TON of great comics out there that are totally unknown to even the most hardcore of comic fans.  And publishers need to make an actual profit to stay in business.  They cannot afford to take on “development” cases, and even if they could, there isn’t any need when lots of folks are already willing to pay their own costs up front or basically write and draw on spec.  So since the game was a loser anyway, Jerry and I opted for max freedom and started from scratch under our own homegrown brand name.

While we’re talking, let me take this opportunity to note that “Proletariat” was a really crappy name for a comic book company.  It wasn’t meant to be half so incendiary or counter-culture as it came out, but bottom line, where we merely wanted to “revolutionize” comics by promoting new creators with high-quality non-superhero ideas (giving power to the comics “workers”, the creators), most folks instead saw us as a bunch of quasi-pinko Leninists living in New York City.  And what’s worse, the whole thing framed Bronx Angel in an entirely unintended genre-space.

Look, BA: PBAM was never meant to be a specifically anti-war book.  In fact, I started writing it well before the Invasion of Iraq made it timely.  The original high-concept came out of a story I started writing when I was stationed in Korea back in 1999, and it was based a little on my father.  At the time, my dad was suffering from some pretty severe PTSD, and it occurred to me that a lot of action heroes out of the movies would probably also suffer from PTSD if they were ever given the time on-screen to develop their characters in that direction.  But no one in Hollywood ever wanted to look at it that way back then; they preferred the summer popcorn formula of happy killers who cheerfully blow away legions and legions of bad guys without ever suffering the consequences.  So I decided to write a story about a Scottish knight who returns from the Crusades with PTSD, only to discover that his family’s place in local politics has been usurped by a local villain.  And I got about 30 pages into the manuscript before I realized that this story had been done before—in the form of the classic legend of Robin Hood—just not with the PTSD angle. 

The idea kind of sat that way for a few years, but I eventually dusted it off in 2002, about the time I started working in the South Bronx.  The imminent invasion of Iraq provided a new Crusade from which our returning Robin Hood could emerge, and with that in mind, I started writing.  The final form of the story changed a good deal, especially when I cut it from 135-pages down to the 68 that are in the version that’s currently available on WOWIO, but even now, that core idea remains.  Angel is a guy who’s dealing with his post-war demons, and half the characters are named after characters in Robin Hood, including Little John, Angel’s spotter in BA #0, and MaryAnn, Spice’s ill-fated girlfriend whose role in the original full-length script was much different than it became in the version that actually got published.  The original version also had a Father Tuck, but his storyline was one of the casualties of the cut-down.

But, you know, events kind of got away with me.  Our company was named after a widely reviled revolutionary idea, the story in PBAM actually offended my father, and when the Invasion of Iraq went so quickly sour, I wrote a new Foreword for the book that put my personally feelings about the thing front and center.  And then, too, at the time that PBAM was actually published, things were so bad that most would-be readers just didn’t want to think about the war—at all—under any circumstances.  And having passed over In the Valley of Eli any number of times at Blockbuster myself, honestly, I can hardly blame them.  The war was on TV all the time, and folks didn’t want yet another reminder of it.  Ironically, any number of reviewers later came back to me and expressed confusion about the actual story’s lack of anti-war sentiment, but of course, that was never the point.  The point was and is about my dad, and he was in Vietnam.  I wanted to show the costs that soldiers pay for their heroism on his behalf.  If readers—including me—see that cost as being disproportional to the gains achieved, well, that’s not the fault of the story.  It was more like a sign of the times.

So anyway, now it’s 2010, things have been looking up in Iraq for a good while, and I think maybe it’s time to try bring the full Bronx Angel out of the dustbin of history and find a way to get it out there—again.  I want to tell the story the way that it was meant to be told, and I want to do it in a way that doesn’t require some artist to spend 8 hours drawing each page.  So Niki and I are trying to re-write it as a play, and we’ll see how it goes. 

Here's Niki's prototype set design for the first scene:

Friday, March 12, 2010

Friday Mad Science: Sex & Danger Edition


I mentioned yesterday that my first story was a spy-piece that featured a seduction at gun-point.  Well, after I finished drafting yesterday’s Storyteller’s Playbook, I went searching back through my archives and managed to find a version of that story that I’d re-written as a 3-page comic teaser.  A friend of mine then drew the pages and inked them, leaving me with a cool little comic short that’s perhaps a bit confusing without its dialogue.  Still, it’s an example of a couple of principles that are often at work in gaming, and so I’d like to share it with you. 

First, as we discussed yesterday, this piece works as an opening even though we as readers have only hints of what’s going on in the larger plot.  The hints are enough, and the fact that they leave us wondering is actually a good thing. 

Second, my favorite thing about writing comics is that it’s a collaborative process.  As a novelist or short story-teller, you work in a vacuum.  But comic writers, screenwriters, playwrights, and yes, even game masters all tell stories collaboratively.  In all of these media, the story can’t come alive until someone else experiences your vision and adds to it, often in ways that are completely unpredictable.  And sure, you can cut down on the amount of unpredictability in the final product by writing very detailed, proscriptive scripts—or by railroading your players with a very narrow set of choices in order to keep them strictly on track—but any experienced comic writer, screenwriter, or even game master will tell you that this is not the way to get your best, most valuable input from your creative collaborators.  You create a more predictable product at the cost of lessening the others’ creativity.  That is rarely a wise trade-off.

Folks wonder why I’m not writing comics anymore and why I switched to writing for gaming.  One of the main reasons is that the storytelling process is very similar but writing for gaming requires a lot less overhead to see your vision turn into some kind of storytelling reality.


Writing Exercise: 3-Pages of Sex and Danger

Set-Up: Below you’ll find the link to an original 3-page comic script that was adapted from that first short story, the one I described yesterday, along with links for the actual sequential art pages based on that script.   

Exercise: Read the script and then look at the pages.  Notice how the artist changed the storytelling.  Then decide for yourself what you would have done differently, either as an artist or as a writer adapting dialogue to the finished art.  How would you have used your creativity to add to the story without changing the total intent?


If you get a chance, I’d appreciate some comments below.  We haven’t had any comments yet, and I’d like to change that, especially since I removed the login requirement that the Comments Section previously required.

Saturday, March 6, 2010

Rival Angels!

I exchanged emails with my friend Alan Evans today.  He's the creator of the world's most popular wrestling webcomic, Rival Angels.  I wrote a short story for him maybe eighteen months ago--a kind of a comic version PPV tag match--and now that RA is heading into its second TPB publication, my piece is coming up for print.

Hooray!

Seriously, I haven't written much besides D&D game posts since my dad died in summer 2007, so it's pretty amazing that I'm about to see print again.  And WAY COOL.

Anywho, check out Rival Angels!  It's a terrific webcomic, produced by a really terrific guy.


BTW, if you just want to cut straight to the part that I wrote, click here.  It was the infamous Halloween Special.

And that's it.  Hope you're having a good weekend!